Makura Uo
枕魚 MangaInformações adicionais
Format
MANGA
Status
Finished
Start date
Apr 27, 2015
End date
Apr 27, 2015
Average score
68/100
Popularity
854
Favorites
12
Genres
Fantasy
Slice of Life
Slice of Life
Tags
Josei
79%
Target demographic is adult females.
Surreal Comedy
79%
Prominently features comedic moments that defy casual reasoning, resulting in illogical events.
Episodic
79%
Features story arcs that are loosely tied or lack an overarching plot.
Denpa
79%
Works that feature themes of social dissociation, delusions, and other issues like suicide, bullying, self-isolation, paranoia, and technological necessity in daily lives. Classic iconography: telephone poles, rooftops, and trains.
Female Protagonist
60%
Main character is female.
Coastal
40%
Story prominently takes place near the beach or around a coastal area/town. Setting is near the ocean.
Animals
20%
Prominently features animal characters in a leading role.
Fishing
20%
Centers around the sport of fishing.
Anthropomorphism
20%
Contains non-human character(s) that have attributes or characteristics of a human being.
Makura Uo
枕魚 MangaSinopse
I thought I could keep moving forward, but in an unexpected instant, I’ve lost myself in the gaps of this vast universe. Where have I seen this, this landscape that doesn’t exist? Right over there, in a time that will never come to pass. Welcome to the world of panpanya.
The 22 chapters of Makura Uo, which include stories like Ame no Hi (Rainy Day) and Gomi no Sakebigoe (The Cries of Trash), were either serialized in the special web edition of Hakusensha’s Rakuen Le Paradis magazine or published as doujinshi. Included are entries from panpanya’s diary as well as annotations from the author herself.
(Source: Hakusensha & Natalie, translated)
The 22 chapters of Makura Uo, which include stories like Ame no Hi (Rainy Day) and Gomi no Sakebigoe (The Cries of Trash), were either serialized in the special web edition of Hakusensha’s Rakuen Le Paradis magazine or published as doujinshi. Included are entries from panpanya’s diary as well as annotations from the author herself.
(Source: Hakusensha & Natalie, translated)
