Sekai Meisaku Douwa: Aladdin to Mahou no Lamp
アラジンと魔法のランプ AnimeInformações adicionais
Format
MOVIE
Episodes
1
Duration
65 minutes
Status
Finished
Start date
Mar 13, 1982
End date
Mar 13, 1982
Average score
61/100
Popularity
813
Favorites
6
Studios
Toei Animation
Producers
Rankin/Bass
Genres
Adventure
Fantasy
Fantasy
Tags
Fairy Tale
79%
This work tells a fairy tale, centers around fairy tales, or is based on a classic fairy tale.
Foreign
79%
Partly or completely set in a country outside the country of origin.
Desert
79%
Prominently features a desert environment.
Magic
79%
Prominently features magical elements or the use of magic.
Kids
79%
Target demographic is young children.
Male Protagonist
60%
Main character is male.
Royal Affairs
60%
Features nobility, alliances, arranged marriage, succession disputes, religious orders and other elements of royal politics.
Class Struggle
60%
Contains conflict born between the different social classes. Generally between an dominant elite and a suffering oppressed group.
Sekai Meisaku Douwa: Aladdin to Mahou no Lamp
アラジンと魔法のランプ AnimeSinopse
This film stays very faithful to the original down to the smallest details, save for the kangaroo-rat that suddenly appears twenty minutes into the movie and subsequently follows Aladdin around, serving no purpose in the story but fulfilling the role of token animal mascot.
The screenwriter needs no introduction; Akira Miyazaki single-handedly wrote five of the classic WMT series, including Perrine and Rascal, and participated in two others. The only other name among the staff that rings a bell, though, is Yukihide Takekawa, who was responsible for the music in the magnificent and unknown Unico pilot film.
The story takes some illogical and confusing jumps at the point where Aladdin begins to court the princess, and the extravagant animation that had characterised Toei films of the 60s, when Toei had the best animators around, had become a thing of the past long before this point; but this is still an above-average film, in large part because of the screenplay that stays so faithful to the original. The character designs are slightly more western-looking than one is accustomed to seeing in anime.
(Source: pelleas.net)
The screenwriter needs no introduction; Akira Miyazaki single-handedly wrote five of the classic WMT series, including Perrine and Rascal, and participated in two others. The only other name among the staff that rings a bell, though, is Yukihide Takekawa, who was responsible for the music in the magnificent and unknown Unico pilot film.
The story takes some illogical and confusing jumps at the point where Aladdin begins to court the princess, and the extravagant animation that had characterised Toei films of the 60s, when Toei had the best animators around, had become a thing of the past long before this point; but this is still an above-average film, in large part because of the screenplay that stays so faithful to the original. The character designs are slightly more western-looking than one is accustomed to seeing in anime.
(Source: pelleas.net)
